Home Works

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In my field notes is some more Danish art inspiration to be found this summer. I was introduced to the work of Danish photographer Joakim Eskildsen (°1971, lives in Berlin) at the 80 days of summer photo festival in Ghent, Belgium. The pictures of his series ‘Home Works’ impressed me, how he photographs children around the home in a romantic and at the same time a kind of raw way. The way he uses light to its full potential, the way his images make us long for an intimate, homely and simple world. Some may call it melancholy but in any case Joakim Eskildsen is a top photographer.

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Check out Eskildsen’s gorgeous portfolio on his website with recent work shot in Cuba and the USA for Time.
All pictures shown are taken from his website with thanks.

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Unstilled (paintings by Peter Doig)

Peter Doig, Grande Riviere, 2001-02. Oil on canvas, 229x358 cm.

Peter Doig, Grande Riviere, 2001-02. Oil on canvas, 229×358 cm.

I had the chance to see Peter Doig’s paintings in the Louisiana Museum of Modern Art in Denmark this summer. It was an unforgettable experience to see his work in person.

Detail Grande Riviere, 2001-02.

Detail Grande Riviere, 2001-02.

I was particularly amazed by the painterly qualities, sometimes the paint seems to be thinned and marbled, almost watercolour like, and sometimes piled high in small dots.
Among Doig’s sources of imagery are his own photographs, captures from his videos, pictures from books, and details drawn from commercial advertising, travel posters and post cards. He kind of transforms these stilled images to unstilled subject matter. His large scale paintings seem to flow within their own time and space and as Doig says ‘I want to make people think about other things’.

Peter Doig, Figures in red boat, 2005-07. Oil on linen, 250x200 cm.

Peter Doig, Figures in red boat, 2005-07. Oil on linen, 250×200 cm.

Detail Figures in red boat, 2005-07.

Detail Figures in red boat, 2005-07.

Peter Doig, Okahumkee (Some other people's blues), 1990. Oil on canvas, 204x241 cm.

Peter Doig, Okahumkee (Some other people’s blues), 1990. Oil on canvas, 204×241 cm.

Detail Okahumkee (Some other people's blues), 1990.

Detail Okahumkee (Some other people’s blues), 1990.

Peter Doig, Concrete Cabin II, 1992. Oil on canvas, 200x275 cm.

Peter Doig, Concrete Cabin II, 1992. Oil on canvas, 200×275 cm.

Detail Concrete Cabin II, 1992.

Detail Concrete Cabin II, 1992.

Peter Doig, Reflection (what does your soul look like), 1996. Oil on canvas, 295x200 cm.

Peter Doig, Reflection (what does your soul look like), 1996. Oil on canvas, 295×200 cm.

Detail Reflection (what does your soul look like), 1996.

Detail Reflection (what does your soul look like), 1996.

Peter Doig, Blotter, 1993. Oil on canvas, 249x199 cm.

Peter Doig, Blotter, 1993. Oil on canvas, 249×199 cm.

Detail Blotter, 1993.

Detail Blotter, 1993.

What Doig says in the catalogue about his time occupied in the studio applies also to what viewers encounter: “Painting is about working your way across the surface, getting lost in it. The large size of the paintings is about the idea of getting absorbed in them, so you physically get lost.” It was great to get lost in Doig’s paintings at Louisiana. Magical!

The beach at Louisiana Museum of Contemporary Art, about 30 km north of Copenhagen.

The beach at Louisiana Museum of Modern Art, about 35 km north of Copenhagen.

See my post on Peter Doig’s prints here.
Peter Doig is on view in Lousiana till 16 Aug 2015.