Jackson Pollock is well known for his unique style of action painting. But did you know he made sculptures too?
I discovered some of his sculptural work in the exhibition Jackson Pollock – Blind Spots.
At the beginning of his career, Jackson Pollock was set more on sculpture than painting. In a letter to family, dated 1933, Pollock said:
I am devoting all my time to sculpture now – cutting in stone during the day and modelling at night – it holds my interest deeply – I like it better than painting – drawing is the essence of all.
Stone Head was made by Pollock in the early 1930’s when he was about 18 or 19 years old. This carved basalt head is the first recorded three dimensional work by Pollock. It was made under influence of the sculptor Ahron Ben-Shmuel (1903-84) with whom Pollock studied and later apprenticed after his move to New York in September 1930.
Sculpting was something Pollock would turn to in hard times, when painting – or life – was proving difficult. A collaboration with his friend, the sculptor Tony Smith, would be the last creative endeavour he would undertake before his death in a car crash in 1956 aged 44.
Tony Smith and Jackson Pollock met in the late 1940s at the time Pollock was making some of his greatest paintings. While their work shares little stylistically, their many shared interests included Native American sand painting, modern architecture, and the writing of James Joyce, and they quickly became close friends. Pollock was a painter who loved to make sculpture and Smith was an architect who loved to paint and finally found his calling in sculpture.
The sculptures Pollock made at Tony Smith’s home in 1956 are constructions of wire, gauze, and plaster. Shaped by sand-casting, they have a heavily textured surface similar to what Pollock often sought in his paintings.
Pollock’s experiments in media such as papier-mâché and sand-casting show an interesting insight in his creative process or should we say “creative play”. We can even detect his sculptural impulse in his efforts to animate the surfaces of his paintings by attaching found objects such as bees or cigarette butts.
Pictures shown are taken by me in the exhibition Blind Spots – my apologies for the poor quality.