Origami – Sarah Morris

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Sarah Morris – Rose (Origami), 2014. Based on a crease pattern “Rose” by Noboru Miyajima. Household gloss print on canvas 214 x 214 cm.

For her films and paintings she travels the world. Sarah Morris (° 1967, UK) lives and works in New York but filmed in China, Rio de Janeiro and Paris. And moreover she manages to film where no journalist would ever come in. It might help that she never records sound – “it’s art anyway” she explains. Her mission is to search for the truth  behind the glossy appearances in the economical capitals of the world.

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Sarah Morris – Angel (Origami), 2009. Based on a crease pattern “Harpy” by Jason Ku. Household gloss print on canvas 214 x 214 cm.

I discovered her work in the M-Museum in Leuven (Belgium) where a good overview of her work was shown earlier this year. Morris’ paintings, known for their distinct use of color, explore themes like power, style, economy. I like how her research of urban stories is translated into different forms. Her paintings, films and filmposters all seem to convey her insights of power relations into sounds, images, colours, patterns…

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Sarah Morris – Rockhopper (Origami), 2009. Based on a crease pattern “Penguin” by Noboru Miyajima. Household gloss print on canvas 289 x 289 cm.

I particularly liked her painting series Origami and the painted over vintage film posters. Morris used to work as assistant for Jeff Koons but now travels the world as a nomadic urbanist looking for intriguing power games to unravel in her art.
Find out more on her website.

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Sarah Morris – Pulp Fiction, 2013. Ink and gouache on film poster, 157×115 cm.

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Sarah Morris – Il Coltello Nell’Acqua, 2014. Ink and gouache on film poster, 140×100 cm.

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