2017 Venice Biennale favourites (1)

Visiting the Venice Biennale is always a great way to discover new artists and to rekindle the fascination for old favourites in the most charming setting of Venice island. Please find some of my favourites below of the 57th edition this year.

The work shown by Dirk Braeckman in the Belgian pavilion really hit home. You may accuse me of being highly biased being a Belgian myself but what is not to love about Braeckman’s analogue black and white photography. His experimentation with this medium at the brink of extinction, the flirting with representation and abstraction, the presence of a combination of intimacy and distance in each image… it all adds up to a fascinating body of work that brings stillness in today’s steady flow of images.
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Maria Lai was born in 1919 and passed away in 2013. She lived nearly a century in Sardinia, Italy and has translated her own history and the island’s folklore in her works. She has been one of the first artists involving the local community in her collective performances long before ‘relational’ art became a thing. In Venice several of her textile works were shown, stitches telling stories!

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Maria Lai – Geografia, 1992 (fabric and thread)

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Detail Geografia

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Maria Lai – Storia universale, 1982 (fabric and thread)

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Maria Lai – Lenzuolo, 1991 (collage of fabrics with wood thread) – detail

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Maria Lai – fabric books

Shimabuku (° 1969, Japan) made me laugh with his ironical works. So interesting how he questions human culture and our environment for life in his projects and thought provoking too. A really nice discovery!

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Shimabuku – Oldest and Newest Tools of Human Beings, 2016 (4 prehistoric stone axes, 4 smartphones, vitrine with glas) – detail

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Shimabuku – Oldest and Newest Tools of Human Beings, 2016 (4 prehistoric stone axes, 4 smartphones, vitrine with glas) – detail

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Shimabuku – Sharpening a MacBook Air, 2015 (MacBook Air with handle, vitrine, HD video, stereo sound – 2’05”) – detail

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Shimabuku – The Snow Monkeys of Texas – Do Snow Monkeys Remember Snow Mountains?, 2016 (mixed media installation, text, cactus pot, HD video, stereo sound, 20′) – video still

The video “The Snow Monkeys of Texas – Do Snow Monkeys Remember Snow Mountains?” originated after Shimabuku was told the story about a group of Japanese snow monkeys who were brought from the mountains of Kyoto to a Texas desert in 1972. In the first year their numbers reduced dramatically, but in the second year their population grew. After hearing this story in 1992 he visited them  in Texas in 2016. After spending a few days with them he decided to make a mountain of ice for them.

Where to see works of these artists now the Biennale closed its doors?
Dirk Braeckman’s work will be shown at a double exhibition in Belgium early 2018, to be held simultaneously at BOZAR Centre for Fine Arts in Brussels and M-Museum Leuven. Check out his website here.
Shimabuku is taking part in “The Show Must Go On” till 21 Jan 2018 in Kunst Museum Bern, Switserland and in the Biennale de Lyon till 7 Jan 2018. check out his website here.

More of my favourites coming soon. Please share your personal favourites of the 57th Venice Biennale in the comments!

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